Biblical Magi

"Three Kings", or "Three Wise Men", redirects here. For other uses, see Three Kings (disambiguation) and Wise men.
Adoration of the Magi by Bartolomé Esteban Murillo.

In Christian tradition, the Magi (pronounced /ˈmædʒaɪ/;[1] Greek: μάγοι, magoi), also referred to as the (Three) Wise Men, (Three) Kings, or Kings from the East, are a group of distinguished foreigners who are said to have visited Jesus after his birth, bearing gifts of gold, myrrh and frankincense. They are regular figures in traditional accounts of the nativity and in celebrations of Christmas.

The Gospel of Matthew,[2] the only one of the four Gospels to mention the Magi, states that they came "from the east" to worship the Christ, "born King of the Jews". Although the account does not tell how many they were, the three gifts led to a widespread assumption that they were three as well.[3] Their identification as kings in later Christian writings is linked to Old Testament prophesies such as that in Isaiah 60:3, which describe the Messiah being worshipped by kings.[4] This interpretation was challenged by the Protestant Reformation.

Contents

Original account

The New Revised Standard Version of Matthew 2:1-12 describes the visit of the Magi:

In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, "Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage." When King Herod heard this, he was frightened, and all Jerusalem with him; and calling together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They told him, "In Bethlehem of Judea; for so it has been written by the prophet: 'And you, Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who is to shepherd my people Israel.'" Then Herod secretly called for the wise men and learned from them the exact time when the star had appeared. Then he sent them to Bethlehem, saying, "Go and search diligently for the child; and when you have found him, bring me word so that I may also go and pay him homage." When they had heard the king, they set out; and there, ahead of them, went the star that they had seen at its rising, until it stopped over the place where the child was. When they saw that the star had stopped, they were overwhelmed with joy. On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path.

They are mentioned twice shortly thereafter, in reference to their avoidance of Herod after seeing Jesus, and what Herod had learned from their earlier meeting.

Description

The Magi are popularly referred to as wise men and kings. The word Magi is a Latinization of the plural of the Greek word magos (μαγος pl. μαγοι), itself from Old Persian maguŝ from the Avestan magâunô, i.e. the religious caste into which Zoroaster was born, (see Yasna 33.7:' ýâ sruyê parê magâunô ' = ' so I can be heard beyond Magi '). The term refers to the priestly caste of Zoroastrianism.[5] As part of their religion, these priests paid particular attention to the stars, and gained an international reputation for astrology, which was at that time highly regarded as a science. Their religious practices and use of astrology caused derivatives of the term Magi to be applied to the occult in general and led to the English term magic. Translated in the King James Version as wise men, the same translation is applied to the wise men led by Daniel of earlier Hebrew Scriptures (Daniel 2:48). The same word is given as sorcerer and sorcery when describing "Elymas the sorcerer" in Acts 13:6-11, and Simon Magus, considered a heretic by the early Church, in Acts 8:9-13.

Names

Traditions identify a variety of different names for the Magi. In the Western Christian church they have been commonly known as:

These names apparently derive from a Greek manuscript probably composed in Alexandria around 500 A.D., and which has been translated into Latin with the title Excerpta Latina Barbari.[6] Another Greek document from the 8th century, of presumed Irish origin and translated into Latin with the title Collectanea et Flores, continues the tradition of three kings and their names and gives additional details.[7][8]

Caspar is also sometimes given as Gaspar or Jaspar.[9] One candidate for the origin of the name Caspar appears in the Acts of Thomas as Gondophares (AD 21 – c.AD 47), i.e., Gudapharasa (from which 'Caspar' might derive as corruption of 'Gaspar'). This Gondophares declared independence from the Arsacids to become the first Indo-Parthian king and who was allegedly visited by Thomas the Apostle. His name is perpetuated in the name of the Afghan city Kandahar, which he founded under the name Gundopharron.[10] Christian legend may have chosen Gondofarr simply because he was an eastern king living in the right time period.

In contrast, the Syrian Christians name the Magi Larvandad, Gushnasaph, and Hormisdas. These names have a far greater likelihood of being originally Persian, though that does not, of course, guarantee their authenticity.

In the Eastern churches, Ethiopian Christianity, for instance, has Hor, Karsudan, and Basanater, while the Armenians have Kagpha, Badadakharida and Badadilma.[11][12] Many Chinese Christians believe that one of the magi came from China.[13] This final idea is used by Christopher Moore in his novel Lamb.

Bible historian Chuck Missler mentions about an Armenian tradition identifying the Magi as Balthasar of Arabia, Melchior of Persia and Gasper of India.

Origin and journey

The Journey of the Magi by James Tissot

The phrase from the east is the only information Matthew provides about the region from which they came. Traditionally the view developed that they were Babylonian or Persians or Jews from Yemen as the Makrebs or kings of Yemen then were Jews, a view held for example by John Chrysostom. The majority belief was they were from Babylon, which was the centre of Zurvanism, and hence astrology, at the time; and may have retained knowledge from the time of their Jewish leadership by Daniel.

According to the Gospel of Matthew, the Magi found Jesus by following his star,[14] which thus traditionally became known as the Star of Bethlehem. Various theories have been presented as to the nature of this star.

On finding him, they gave him three symbolic gifts: gold, frankincense and myrrh. Warned in a dream that Judean king Herod intended to kill the child, they decided to return home by a different route. This prompted Herod to resort to killing all the young children in Bethlehem, an act called the Massacre of the Innocents, in an attempt to eliminate a rival heir to his throne. Jesus and his family had, however, escaped to Egypt beforehand. After these events they passed into obscurity.[15] The story of the nativity in Matthew glorifies Jesus, likens him to Moses, and shows his life as fulfilling prophecy.[16]

After the visit the Magi leave the narrative by returning another way so as to avoid Herod, and do not reappear. Gregory the Great waxed lyrical on this theme, commenting that having come to know Jesus we are forbidden to return by the way we came. There are many traditional stories about what happened to the Magi after this, with one having them baptised by St. Thomas on his way to India. Another has their remains found by Saint Helena and brought to Constantinople, and eventually making their way to Germany and the Shrine of the Three Kings at Cologne Cathedral.

A model for the homage of the Magi might have been provided, it has been suggested, by the journey to Rome of King Tiridates I of Armenia, with his magi, to pay homage to the Emperor Nero, which took place in 66 AD, a few years before the date assigned to the composition of the Gospel of Matthew.[17] , Archaeological History of Iran, London, Oxford University Press for the British Academy, 1935, pp.65-66.</ref>

In recent tradition the Magi have been portrayed as three kings, or noble men, of different origin. One from Western Europe (usually Celtic-like from the British Isles or France), another of African Origin (usually Abyssinian, Ethiopian), the last from Asia either from the Arabian Peninsula (e.g. Yemen or Oman) or the Far East (usually China). The European is often portrayed with the Gold as the other two gifts were native to Africa and Asia so the Myrrh and Frankincense vary between "King".

There was a tradition that the Central Asian Naimans and their Christian Kerait relatives were descended from the Biblical Magi.[18] This heritage passed to the Mongol dynasty of Genghis Khan when Sorghaghtani, niece of the Kerait ruler Toghrul, married Tolui the youngest son of Genghis and became the mother of Mongke Khan and his younger brother and successor, Kublai Khan. Toghrul became identified with the legendary Central Asian Christian king, Prester John, whose Mongol descendants were sought as allies against the Muslims by contemporary European monarchs and popes.[19]

Nestorian priests in a procession on Palm Sunday, in a 7th–8th century wall painting from a Nestorian church in China

Gifts

Byzantine art usually depicts the Magi in Persian clothing which includes breeches, capes, and Phrygian caps. Mosaic, ca. 565.
Basilica of Sant'Apollinare Nuovo, Ravenna, Italy - restored above in 18th century.

The Magi are described as "falling down", "kneeling" or "bowing" in the worship of Jesus. This gesture, together with the use of kneeling in Luke's birth narrative, had an important effect on Christian religious practices. They were indicative of great respect, and typically used when venerating a king. Inspired by these verses, kneeling and prostration were adopted in the early Church. While prostration is now rarely practiced in the West, it is still relatively common in the Eastern Churches, especially during Lent. Kneeling has remained an important element of Christian worship to this day.

Three gifts are explicitly identified in Matthew: gold, frankincense, and myrrh. Many different theories of the meaning and symbolism of the gifts have been brought forward. While gold is fairly obviously explained, frankincense, and particularly myrrh, are much more obscure.

The theories generally break down into two groups:

  1. All three gifts are ordinary offerings and gifts given to a king. Myrrh being commonly used as an anointing oil, frankincense as a perfume, and gold as a valuable.
  2. The three gifts had a spiritual meaning : gold as a symbol of kingship on earth, frankincense (an incense) as a symbol of priestship, and myrrh (an embalming oil) as a symbol of death.
  • Sometimes this is described more generally as gold symbolizing virtue, frankincense symbolizing prayer, and myrrh symbolizing suffering.
  • These interpretations are alluded to in the verses of the popular carol "We Three Kings" in which the magi describe their gifts.

Myrrh was used as an embalming ointment and as a penitential incense in funerals and cremations until the 15th century. The "holy oil" traditionally used by the Eastern Orthodox Church for performing the sacraments of chrismation and unction is traditionally scented with myrrh, and receiving either of these sacraments is commonly referred to as "receiving the Myrrh".

It has been suggested by scholars that the "gifts" were medicinal rather than precious material for tribute.[20][21][22]

The Syrian King Seleucus II Callinicusis recorded to have offered gold, frankincense and myrrh to Apollo in his temple at Miletus in 243 BC, and this may have been the precedent for the mention of these three gifts in Gospel of Matthew (2:11). It was these three gifts, it is thought, which were the chief cause for the number of the Magi becoming fixed eventually at three.[23]

This episode can be linked to Isaiah 60 and to Psalm 72 which report gifts being given by kings, and this has played a central role in the perception of the Magi as kings, rather than as astronomer-priests. In a hymn of the late 4th-century hispanic poet Prudentius, the three gifts have already gained their medieval interpretation as prophetic emblems of Jesus' identity, familiar in the carol "We Three Kings" by John Henry Hopkins, Jr., 1857.

One of the earliest known depictions from a third century sarcophagus.
Vatican Museums, Rome, Italy.

John Chrysostom suggested that the gifts were fit to be given not just to a king but to God, and contrasted them with the Jews' traditional offerings of sheep and calves, and accordingly Chrysostom asserts that the Magi worshiped Jesus as God.

What subsequently happened to these gifts is never mentioned in the scripture, but several traditions have developed.[24] One story has the gold being stolen by the two thieves who were later crucified alongside Jesus. Another tale has it being entrusted to and then misappropriated by Judas.

In the Monastery of St. Paul of Mount Athos there is a 15th century golden case containing purportedly the Gift of the Magi. It was donated to the monastery in the 15th century by Mara Branković, daughter of the King of Serbia Đurađ Branković, wife to the Ottoman Sultan Murat II and godmother to Mehmet II the Conqueror (of Constantinople). Apparently they were part of the relics of the Holy Palace of Constantinople and it is claimed they were displayed there since the 4th century AD. After the Athens earthquake of September 9, 1999 they were temporarily displayed in Athens in order to strengthen faith and raise money for earthquake victims.

Tombs

The Shrine of the Three Kings in Cologne Cathedral, Germany.

Marco Polo claimed that he was shown the three tombs of the Magi at Saveh south of Tehran in the 1270s:

In Persia is the city of Saba, from which the Three Magi set out and in this city they are buried, in three very large and beautiful monuments, side by side. And above them there is a square building, beautifully kept. The bodies are still entire, with hair and beard remaining.[25]

A Shrine of the Three Kings at Cologne Cathedral, according to tradition, contains the bones of the Three Wise Men. Reputedly they were first discovered by Saint Helena on her famous pilgrimage to Palestine and the Holy Lands. She took the remains to the church of Hagia Sophia in Constantinople; they were later moved to Milan (some sources say by the city's bishop, Eustorgius I[26]), before being sent to their current resting place by the Holy Roman Emperor Frederick I in AD 1164. The Milanese celebrate their part in the tradition by holding a medieval costume parade every 6 January.

A version of the detailed elaboration familiar to us is laid out by the 14th century cleric John of Hildesheim's Historia Trium Regum ("History of the Three Kings"). In accounting for the presence in Cologne of their mummified relics, he begins with the journey of Helena, mother of Constantine I to Jerusalem, where she recovered the True Cross and other relics:

Queen Helen… began to think greatly of the bodies of these three kings, and she arrayed herself, and accompanied by many attendants, went into the Land of Ind… after she had found the bodies of Melchior, Balthazar, and Gaspar, Queen Helen put them into one chest and ornamented it with great riches, and she brought them into Constantinople... and laid them in a church that is called Saint Sophia.

Journey of the Magi (top) and Adoration of the Magi (side) on a Limoges champlevé enamel chasse, ca 1200 (Musée de Cluny, Paris)

Religious significance

The visit of the Magi is commemorated in most Western Christian churches by the observance of Epiphany, 6 January. The Eastern Orthodox celebrate the visit of the Magi on 25 December.

The identification of the Magi as kings is linked to Old Testament prophesies that have the Messiah being worshipped by kings in Isaiah 60:3, Psalm 72:10, and Psalm 68:29. Early readers reinterpreted Matthew in light of these prophecies and elevated the Magi to kings. By AD 500 all commentators adopted the prevalent tradition that the three were kings, and this continued until the Protestant Reformation.[27]

Though the Qur'an omits Matthew's episode of the Magi, it was well known in Arabia. The Muslim encyclopaedist al-Tabari, writing in the 9th century, gives the familiar symbolism of the gifts of the Magi. Al-Tabari gave his source for the information to be the later 7th century writer Wahb ibn Munabbih.[28]

Some religious traditions take a critical view of the Magi. Jehovah's Witnesses[29] do not see the arrival of the Magi as something to be celebrated, but instead stress the Biblical condemnation of sorcery and astrology in such texts as Deuteronomy 18:10–11, Leviticus 19:26, and Isaiah 47:13–14. They also point to the fact that the star seen by the Magi led them first to a hostile enemy of Jesus, and only then to the child's location — the argument being that if this was an event from God, it makes no sense for them to be led to a ruler with intentions to kill the child before taking them to Jesus.[30] Likewise, as Matthew 2:12 informs, the Magi were warned by God not to return to the familicide King Herod. Thus, they believe, it seems reasonable to consider that the star, which evidently only the Magi could see (Matthew 2:7, 8), was the product of God's archenemy designed to perform an unholy act upon an innocent young child, Jesus.

They are the patron saints of travelers.[31]

Traditions

The Three Wise Men receiving children at a shopping centre in Spain. (Letters with gift requests are left in the letter box on the left hand side.)
Sternsinger in Vienna, Austria.

Roscón de Reyes

Adoration of the Magi in art

Adoration of the Magi by Fra Angelico and Filippo Lippi.

The Magi most frequently appear in European art in the Adoration of the Magi; less often The Journey of the Magi has been a popular topos, and other scenes such as the Magi before Herod and the Dream of the Magi also appear in the Middle Ages. In Byzantine art they are depicted as Persians, wearing trousers and phrygian caps. Crown appear from the 10th century. Medieval artists also allegorised the theme to represent the three ages of man. Beginning in the 12th century, and very often by the 15th, the Kings also represent the three parts of the known (pre-Columbian) world in Western art, especially in Northern Europe. Balthasar is thus represented as a young African or Moor and Caspar may be depicted with distinctive Oriental features.

An early Anglo-Saxon picture survives on the Franks Casket, probably a non-Christian king’s hoard-box (early 7th century, whalebone carving); or rather the hoard-box survived Christian attacks on non-Christian art and sculpture because of that picture.[33] In its composition it follows the oriental style, which renders a courtly scene, with the Virgin and Christ facing the spectator, while the Magi devoutly approach from the (left) side. Even amongst non-Christians who had heard of the Christian story of the Magi, the motif was quite popular, since the Magi had endured a long journey and were generous. Instead of an angel, the picture places a swan, interpretable as the hero's fylgja (a protecting spirit, and shapeshifter).

Austrian artist Gottfried Helnwein depicted a more controversial tableau in his painting, Epiphany I: Adoration of the Magi (1996). Intended to represent the "many connections between the Third Reich and the Christian churches in Austria and Germany",[34] Nazi officers in uniform stand around an Aryan woman, a Madonna. The Christ toddler who stands on Mary's lap resembles Adolf Hitler.[35]

More generally they appear in popular Nativity scenes and other Christmas decorations that have their origins in the Neapolitan variety of the Italian presepio or Nativity crèche.

Representation in other art forms

See also

References and notes

Citations
  1. Holman Illustrated Bible Dictionary. Nashville, Tennessee: Holman Bible Publishers. 2003. p. 1066. ISBN 0-8054-2836-4. 
  2. "Matthew 2; - Passage Lookup - New International Version - UK". BibleGateway.com. http://www.biblegateway.com/passage/?search=matthew%202;&version=64;. Retrieved 2010-06-28. 
  3. Geza Vermes, The Nativity: History and Legend, London, Penguin, 2006, p22
  4. Also Psalm 72:10, and Psalm 68:29.
  5. Mary Boyce, A History of Zoroastrianism: The Early Period (Brill, 1989, 2nd ed.), vol. 1, pp. 10–11 online; Mary Boyce, Zoroastrians: their religious beliefs and practices (Routledge, 2001, 2nd ed.), p. 48 online; Linda Murray, The Oxford companion to Christian art and architecture (Oxford University Press, 1996), p. 293; Stephen Mitchell, A history of the later Roman Empire, AD 284-641: the transformation of the ancient world (Wiley-Blackwell, 2007), p. 387 online.
  6. 6.0 6.1 6.2 6.3 Excerpta Latina Barbari, page 51B: "At that time in the reign of Augustus, on 1st January the Magi brought him gifts and worshipped him. The names of the Magi were Bithisarea, Melichior and Gathaspa.".
  7. Hugo Kehrer (1908), Die Heiligen Drei Könige in Literatur und Kunst (reprinted in 1976). Volume I, page 66. Online version. Quote from the Latin chronicle: primus fuisse dicitur Melchior, senex et canus, barba prolixa et capillis, tunica hyacinthina, sagoque mileno, et calceamentis hyacinthino et albo mixto opere, pro mitrario variae compositionis indutus: aurum obtulit regi Domino. ("the first [magus], named Melchior, was an old white-haired man, with a full beard and hair, [...]: the king gave gold to our Lord.") Secundum, nomine Caspar, juvenis imberbis, rubicundus, mylenica tunica, sago rubeo, calceamentis hyacinthinis vestitus: thure quasi Deo oblatione digna, Deum honorabat. ("The second, with name Caspar, a beardless boy, [... gave incense].") Tertius, fuscus, integre barbatus, Balthasar nomine, habens tunicam rubeam, albo vario, calceamentis inimicis amicus: per myrrham filium hominis moriturum professus est. ("The third one, dark-haired, with a full beard, named Balthasar, [... gave myrhh].") Omnia autem vestimenta eorum Syriaca sunt. ("The clothes of all [three] were Syrian-style.")
  8. Collectanea et Flores in Patrologia Latina. XCIV, page 541(D) Online version
  9. Hugo Kehrer (1908), Volume I, page 70 Online version Kehrer's commentary: "Die Form Jaspar stammt aus Frankreich. Sie findet sich im niederrheinisch-kölnischen Dialekt und im Englischen. Note: O. Baist page 455; J.P.Migne; Dictionnaire des apocryphes, Paris 1856, vol I, p. 1023. ... So in La Vie de St. Gilles; Li Roumans de Berte: Melcior, Jaspar, Baltazar; Rymbybel des Jakob von Märlant: Balthasar, Melchyor, Jaspas; ein altenglisches Gedicht des dreizehnten oder vierzehnten Jahrhunderts (13th century!!) Note: C.Horstmann, Altenglische Legenden, Paderborn 1875, p.95; ... La Vie des trois Roys Jaspar Melchior et Balthasar, Paris 1498"-->]
  10. Ernst Herzfeld, Archaeological History of Iran, London, Oxford University Press for the British Academy, 1935, p.63.
  11. Acta Sanctorum, May, I, 1780.
  12. Concerning The Magi And Their Names.
  13. Hattaway, Paul; Brother Yun; Yongze, Peter Xu; and Wang, Enoch. Back to Jerusalem. (Authentic Publishing, 2003). retrieved May 2007
  14. Matthew 2:2
  15. Eliza Marian Butler, "The Myth of the Magus By Eliza Marian Butler". Cambridge University, 1993. 281 pages. Page 20. ISBN 0-521-43777-6
  16. J. Duncan M. Derrett, "Further light on the narratives of the Nativity". Novum Testamentum 17.2 (April 1975), pp. 81-108: "Jean Danielou's conclusion that the Magi were an invention of Matthew"
  17. A. Dietrich, „“Die Weisen aus dem Morgenlande“, Zeitschrift für die Neutestamentliche Wissenschaft, Bd. III, 1902, S.1-14; cited in J. Duchesne-Guillemin, “Die Drei Weisen aus dem Morgenlande und die Anbetung der Zeit”, Antaios, Vol. VII, 1965, p. 234-252, p.245; cited in Mary Boyce and Frantz Genet, A History of Zoroastrianism, Leiden, Brill, 1991, p. 453, n.449.
  18. Wesley Roberton Long (ed.), La flor de las ystorias de Orient by Hethum prince of Khorghos, Chicago, Ill, The University of Chicago Press, 1934, pp.53, 111, 115; cited in Ugo Monneret de Villard, Le Leggende orientali sui Magi evangelici, Citta del Vaticano, Biblioteca apostolica vaticana, 1952, p.161.
  19. Friedrich Zarncke, "Der Priester Johannes", Abhandlungen der philologisch-historischen Classe der Koeniglichen Sachsischen Gesellschaft der Wissenschaften, Leipzig, Band VII, Heft 8, 1879, S.826-1028; Band I, Heft 8, 1883, S. 1-186), re-published in one volume by G. Olms, Hildesheim, 1980.
  20. Page, Sophie,"Magic In Medieval Manuscripts". University of Toronto Press, 2004. 64 pages. ISBN 0-8020-3797-6Page 18.
  21. Gustav-Adolf Schoener and Shane Denson [Translator], "Astrology: Between Religion and the Empirical".
  22. "Frankincense: festive pharmacognosy". Pharmaceutical journal. Vol 271, 2003. pharmj.com.
  23. August Friedrich von Pauly et al., Realencyclopädie der Classischen Altertumswissenschaft, Vol. XVI, 1, Stuttgart, 1933, col.1145; Leonardo Olschki, “The Wise Men of the East in Oriental Traditions”, Semitic and Oriental Studies, University of California Publications in Semitic Philology, Vol.11, 1951, pp.375-395, p.380, n.46; cited in Mary Boyce and Frantz Genet, A History of Zoroastrianism, Leiden, Brill, 1991, p.450, n.438.
  24. Lambert, John Chisholm, in James Hastings (ed.) "A Dictionary of Christ and the Gospels". Page 100.
  25. Polo, Marco, The Book of the Million, book i.
  26. "Sant' Eustorgio I di Milano". Santiebeati.it. 2001-09-09. http://www.santiebeati.it/dettaglio/70600. Retrieved 2010-06-28. 
  27. Calvin, John. Calvin's Commentaries, Vol. 31: Matthew, Mark and Luke, Part I, tr. by John King. http://www.sacred-texts.com/chr/calvin/cc31/cc31027.htm. Retrieved 2010-05-15.  Quote from Commentary on Matthew 2:1-6, "But the most ridiculous contrivance of the Papists on this subject is, that those men were kings..."
  28. "We, three kings of Orient were". Saudiaramcoworld.com. http://www.saudiaramcoworld.com/issue/198006/we.three.kings.of.orient.were.htm. Retrieved 2010-06-28. 
  29. "Christmas Customs -- Are They Christian?". Jehovah's Witnesses Official Web Site. Watch Tower Bible and Tract Society of Pennsylvania. 2000-12-15. http://www.watchtower.org/e/20001215/article_01.htm. Retrieved 2009-12-19. 
  30. "Jesus' Birth The Real Story". Jehovah's Witnesses Official Web Site. Watch Tower Bible and Tract Society of Pennsylvania. 1998-12-15. http://www.watchtower.org/library/w/2000/12/15/article_01.htm. Retrieved 2009-12-19. 
  31. Wikisource-logo.svg "Wise Men of the East". Collier's New Encyclopedia. 1921. 
  32. À mesa com o tradicional Bolo-rei - Uma instituição nacional Matosinhos Hoje, 6 January 2010.
  33. Franks Casket.
  34. Baker, Kenneth (9 August 2004). "Dark and detached, the art of Gottfried Helnwein demands a response.". San Francisco Chronicle (accessed with EBSCOHost). 
  35. Denver Art Museum, Radar, Selections from the Collection of Vicki and Kent Logan, Gwen F. Chanzit, 2006 [1]
  36. Dudley-Smith, Timothy (1984). Lift Every Heart: Collected hymns 1961-1983 and some early poems. Collins. ISBN 0-00-599797-6. 
General references

External links

Adoration of the Wise Men
Life of Jesus: The Nativity
Preceded by
Star of Bethlehem
  New Testament 
Events
Followed by
Flight into Egypt